It all starts with PFD fabric, glass marbled, rubber bands and a good movie.
After time in the dye buckets, a couple of rinses, the marbled and rubber bands must come out. My hands turn interesting colors, but wears off in a few days.
Navy Blue Rayon Top.
One Half of the three yard piece of Blue/Green.
Detail of Blue/Green
One Half of the three yard piece of Violet/Turquoise.
Silk Scarf. Silk is a bit of a challenge to work with.
Playing with Dye and things – What more can I say. Having to be off of my ankle is leaving me with idle hands. So a few experiments are in the works. The fabric is actually a deep dark purple, bad lighting.
I have posted this wall-hanging before. But just to recap many of you said you couldn’t cut you Snow Dyed Fabric. I chose the fabric and my sister Karen put this together for me. And many of you have fallen in love with the idea. Recently I was delighted to see what was inspired by a yard of Snow Dyed Fabric and the Pavers pattern.
Karin Rainer calls her creation, “Can’t Cut That Fabric”. I think I’m in LOVE! Now I have all sorts of new ideas rolling around in my head. Just wait and see.
Time for a new Pavers Kit. This one I’m calling Autumn. Rich gorgeous Batiks in beautiful Autumn colors, all set in a stunning Hand Dyed Dark Chocolate Brown. Color that make me dream of going for long walks in the Forest. Miss Molly, want to go for a truck ride?
You can almost get a whiff of the forest.Finished top, no time yet for quilting. You will find the kit with or without the pattern on my web site.
Finding the perfect colors for each hand marbled pieces of fabric can be a challenge. Generally I find myself using a combination of six colors. The tricky part is that the paints I use are opaque (Solid), translucent (see through but not clear) and transparent (clear). Each color is printed on a colored background. I am using Burnt Orange for this example. All of my paints are in clear jars. A fair amount of fiddling around and trying different combinations of paint follows. My favorite combination is dropped onto the clear marbling base. Sometimes that can change the look of the colors.
The hand dyed fabric is the gently lowered onto the base. They are lifted and rinsed.
I discovered it is hard to photograph wet fabric. The water reflects the light, just like a lake or pond.
Opaque colors tend to stay the same, translucent colors may darken or appear to mix with the fabric color, transparent color allows the hand dyed color to shine through. More fiddling with the combination maybe required at this point.
The colors often change once they dry. The hard part is waiting fifteen days for the paints to cure. No trying to rush them or the colors do not adhere properly and all of the work is wasted.
The cured fabric is washed, dryed and ironed. It takes about three week from start to finish.
I have been busy dying fabric to marble. I have two large piles of fabric dyed, thought I had best get started on the marbling part. Here is a glimpse into the marbling process. River Rocks – this is how the marbling base looks after I drop the paints onto the surface. The paint expands and I can drop the fabric at this stage or carry on.
The first step in moving the paint and creating a design is always Gel-Git which means back and forth. It is the foundation for most marbling designs.
Followed by Cascade. I use a selection of custom made rakes and combs, different widths 1/4″ to 3″ gaps.
I can go several ways at this point, this piece turned into Dragon Wing. This is one of my original designs and the name is because everyone sees some sort of wing it the design.
The first three days of color are Cerulean, Purple and Teal. The colors are always darker when the are wet. Some colors are opaque, others are transparent, that may call for adjusting and fiddling with the colors a bit. I also have started using a clear Iridescent paint, because it is clear it allows the hand dyed fabric color to shine thru for more drama.
Room for twenty pieces per day.
They get to drip dry over night, followed by a two week rest to cure.