Finding the perfect colors for each hand marbled pieces of fabric can be a challenge. Generally I find myself using a combination of six colors. The tricky part is that the paints I use are opaque (Solid), translucent (see through but not clear) and transparent (clear). Each color is printed on a colored background. I am using Burnt Orange for this example. All of my paints are in clear jars. A fair amount of fiddling around and trying different combinations of paint follows. My favorite combination is dropped onto the clear marbling base. Sometimes that can change the look of the colors.
The hand dyed fabric is the gently lowered onto the base. They are lifted and rinsed.
I discovered it is hard to photograph wet fabric. The water reflects the light, just like a lake or pond.
Opaque colors tend to stay the same, translucent colors may darken or appear to mix with the fabric color, transparent color allows the hand dyed color to shine through. More fiddling with the combination maybe required at this point.
The colors often change once they dry. The hard part is waiting fifteen days for the paints to cure. No trying to rush them or the colors do not adhere properly and all of the work is wasted.
The cured fabric is washed, dryed and ironed. It takes about three week from start to finish.
I have been busy dying fabric to marble. I have two large piles of fabric dyed, thought I had best get started on the marbling part. Here is a glimpse into the marbling process. River Rocks – this is how the marbling base looks after I drop the paints onto the surface. The paint expands and I can drop the fabric at this stage or carry on.
The first step in moving the paint and creating a design is always Gel-Git which means back and forth. It is the foundation for most marbling designs.
Followed by Cascade. I use a selection of custom made rakes and combs, different widths 1/4″ to 3″ gaps.
I can go several ways at this point, this piece turned into Dragon Wing. This is one of my original designs and the name is because everyone sees some sort of wing it the design.
The first three days of color are Cerulean, Purple and Teal. The colors are always darker when the are wet. Some colors are opaque, others are transparent, that may call for adjusting and fiddling with the colors a bit. I also have started using a clear Iridescent paint, because it is clear it allows the hand dyed fabric color to shine thru for more drama.
Room for twenty pieces per day.
They get to drip dry over night, followed by a two week rest to cure.
Yep, here and at my Facebook Page. It is now an extreme close up of Emotion Red in the Waved Feathers Design. I am just about to start dying the fabric to be hand marbled. Always a ton of fun. Dreaming of new colors.
Fire Tree was inspired by wildfires, the colors and intensity of the wildfires are breathtaking and frightening at the same moment. Yes, I was up-close to several wildfires during my years of guiding in Alaska. It is a sight that stays with you.
Fire Tree started with a Hand Marbled Fat Quarter of Fire in Feathers Design. Branches Reversed 12″ x 12″ is the stencil with three paintstik colors, Matte Ivory Black, Chocolate or Asphaltum (I don’t remember which, Dark Brown is the key) and Iridescent Gold. Started by putting down a very light layer of Ivory Black as a primer, followed by a nice opaque layer of Dark Brown and finally a light wash of IR Gold to give depth and sparkle.
One of these days quilting will happen, but currently I am far to busy making more Hand Marbled Fabric for you.
Above is the last Marbled piece of the in the tray. Not the last piece ever, but just for this marbling season. I was just looking at the pile of Marbled Fabric and realized that I was shooting for creating 400 pieces and I will have over 500 new pieces for this fall. 500 Fat Quarters of Hand Marbled Fabric just felt like it should be marked as an occasion. Below is twenty pieces of Hot Pink in a variety of my designs.